Historisch Wel and Wee Café - art in public spaces
Lecture / debate: 20 / 09 / 2018
Location: Witte de With Center for Contemporary Art
Walk-in: 17.00 hours,
Program: 17.30 to 18.30 hours
Location: Witte de With auditorium center for contemporary art
Witte de Withstraat 50, Rotterdam
A new edition of the Wel and Wee Café will take place on September 20. This series of meetings is organized by the Rotterdams Historisch Genootschap Roterodamum. This edition takes place in the auditorium of TENT and Witte de With, at Witte de Withstraat 50, on Thursday 20 September. Both Siebe Thissen (head of BKOR) and Marjolijn van der Meijden (project leader BKOR) contribute to this evening.
Siebe Thissen won with Sculptures. Urban embellishment in Rotterdam since 1940 (2016) de Mr. J. Dutilh prize 2018. In this history of the Rotterdam statues, monuments and works of art, he shows how art and the city have changed since the bombing of 1940. But also that visual artists played an important role in the design and perception of the city. Before 1940, Rotterdam was a port city with only a handful of statues. Today, the city has a unique collection that counts more than 1000 images in public space. For the Historisch Wel and Wee Café, Thissen will present two cartoon stories that are not mentioned in his book, including The Picasso Fiasco (1964).
The Picasso Fiasco
In 1964 the city council decided - on the advice of the lawyer and art collector Piet Sanders - to place a Picasso concrete sculpture of more than twenty meters high in the Kralingse Bos, close to the mills, beautifully situated in the greenery. Many people from Rotterdam were stunned. Citizens resisted and hundreds of letters sent in reached the newspapers. The tone was unusually fierce: "Dynamite underneath!" or "Concrete? Had left those German bunkers nice '. Attempting to bring Picasso to Rotterdam himself failed. Local artists scornfully spoke of a 'pseudo-Picasso'. Newspapers called the issue the 'Picasso fiasco'. In the end, only shame was left and Rotterdam had to settle for indulgence. Siebe Thissen looks back on the events of 1964.
This is followed by an introduction to Florentijn Hofman. His artworks adorn the public space worldwide, such as his fourteen-meter-high bath duck in Hong Kong or the giant aardvark in Arnhem. Hofman is currently working on a large work of art for Schiedamseweg in Rotterdam. Hofman shows an overview of his work for the Historisch Wel and Wee Café. Marjolijn van der Meijden (CBK Rotterdam) inquires about his motives and asks him how citizens can embrace a work of art in their arms.